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›the human face‹
in »volto umano«, violence infiltrates the micro-society of the interpreters, oozes in and out of their bodies. the piece oscillates between the “little mis-deeds” in society, from which the merciless emerges. it embodies just how thin the blanket of civilization is when ethics and morals fall victim to barbarism.
»toula limnaios finds depressing pictures … there is no longer any protection space from the inhuman … the dancers inspire with their expressive anger and physical vehemence. an unsettling evening. « (tagesspiegel)